Products related to Allegory:
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Darfur Allegory
The Darfur conflict exploded in early 2003 when two rebel groups, the Sudan Liberation Movement and the Justice and Equality Movement, struck national military installations in Darfur to send a hard-hitting message of resentment over the region’s political and economic marginalization.The conflict devastated the region’s economy, shredded its fragile social fabric, and drove millions of people from their homes.Darfur Allegory is a dispatch from the humanitarian crisis that explains the historical and ethnographic background to competing narratives that have informed international responses.At the heart of the book is Sudanese anthropologist Rogaia Abusharaf’s critique of the pseudoscientific notions of race and ethnicity that posit divisions between “Arab” northerners and “African” Darfuris. Elaborated in colonial times and enshrined in policy afterwards, such binary categories have been adopted by the media to explain the civil war in Darfur.The narratives that circulate internationally are thus highly fraught and cover over—to counterproductive effect—forms of Darfurian activism that have emerged in the conflict’s wake.Darfur Allegory marries the analytical precision of a committed anthropologist with an insider’s view of Sudanese politics at home and in the diaspora, laying bare the power of words to heal or perpetuate civil conflict.
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Darfur Allegory
The Darfur conflict exploded in early 2003 when two rebel groups, the Sudan Liberation Movement and the Justice and Equality Movement, struck national military installations in Darfur to send a hard-hitting message of resentment over the region’s political and economic marginalization.The conflict devastated the region’s economy, shredded its fragile social fabric, and drove millions of people from their homes.Darfur Allegory is a dispatch from the humanitarian crisis that explains the historical and ethnographic background to competing narratives that have informed international responses.At the heart of the book is Sudanese anthropologist Rogaia Abusharaf’s critique of the pseudoscientific notions of race and ethnicity that posit divisions between “Arab” northerners and “African” Darfuris. Elaborated in colonial times and enshrined in policy afterwards, such binary categories have been adopted by the media to explain the civil war in Darfur.The narratives that circulate internationally are thus highly fraught and cover over—to counterproductive effect—forms of Darfurian activism that have emerged in the conflict’s wake.Darfur Allegory marries the analytical precision of a committed anthropologist with an insider’s view of Sudanese politics at home and in the diaspora, laying bare the power of words to heal or perpetuate civil conflict.
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Beelzebub's Bible : An Unholy Allegory
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The Future of Cultural Analysis : A Critical Inquiry
Across the humanities and the social sciences, “cultural analysis” is a vibrant research practice.Since its introduction in the 1990s, its main principles have remained largely the same: interdisciplinarity, political urgency, a heuristic use of concepts, the detailed analysis of objects of culture, and an awareness of the scholar’s situatedness in the present.But is the practice still suited to the spiraling of social, political, and environmental crises that mark our time?Drawing on experiences in research, teaching, activism, and the creative arts, contributors explore what cultural analysis was back then, what it is now, and what it may be by 2034.In a shifting conjuncture, contributors strike notes of discomfort, defiance, and irony—as well as a renewed sense of urgency and care.
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What is an allegory?
An allegory is a literary device in which characters, events, and settings represent abstract ideas or moral qualities. It is a symbolic narrative that can be interpreted to reveal a hidden meaning or message. Allegories are often used to convey complex ideas or moral lessons in a more engaging and accessible way.
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What is the scientific question regarding Plato's Allegory of the Cave?
The scientific question regarding Plato's Allegory of the Cave revolves around the nature of reality and perception. Scientists may inquire about how our perceptions shape our understanding of the world around us and how these perceptions can be influenced or distorted. They may also explore the concept of enlightenment and the process of gaining knowledge to see beyond our limited perspectives, similar to the prisoners in the cave breaking free and seeing the true reality outside.
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Is there an English allegory for this?
Yes, there is an English allegory that is similar to the story of the Chinese farmer. One example is the tale of "The Tortoise and the Hare" from Aesop's Fables. In this story, the slow and steady tortoise ultimately wins the race against the fast but overconfident hare, teaching a lesson about perseverance and humility. Both stories emphasize the importance of patience, resilience, and the unpredictable nature of life.
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What is the Allegory of the Cave?
The Allegory of the Cave is a philosophical concept presented by the ancient Greek philosopher Plato in his work "The Republic." In this allegory, Plato describes a group of people who have been imprisoned in a cave since birth, facing a wall where shadows are projected from objects behind them. The prisoners mistake these shadows for reality, until one of them is freed and sees the outside world. This allegory symbolizes the journey from ignorance to knowledge, highlighting the importance of critical thinking, questioning assumptions, and seeking truth beyond what is immediately apparent.
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Lady Justice : An Anatomy of Allegory
Dismembers and remembers the sensual and spiritual body of Lady Justice in a wholly novel interpretation of the optical allegory of IustitiaPresents an original theory of the blindfold on JusticeIncludes case studies of the allegorical significance of all of the attributes of JusticeDraws on early modern sources including forensic speeches, epigrams, eulogies, formal discourses and commentaries on cases to offer a new paradigm of judicial actioPresents new critical analyses of key Latin texts, subjecting them to critical philological scrutiny for the first timeCategorizes images of Lady Justice through a range of parameters: their plasticity, accessibility, their effect of presence, their material link to the space dispositive and their plastic salienceLady Justice: An Anatomy of Allegory leaves conventional readings of this pivotal figure in European legal history far behind.Hayaert's study brings together an analysis of thousands of images from the period 1400 - 1600, many of them previously overlooked, including artwork, frontispieces, legal texts, sculptures and statues in public spaces and in court buildings scattered across six countries.Lady Justice is taken apart and considered afresh - organ by organ, limb by limb, digit by digit, making a case for a treatment of allegory in all its complexity, ambiguity and affective force. This unique interdisciplinary study exceeds the iconographic orthodoxy of art historians and the reductive interpretations of legal historians alike.Setting aside styles and schools, ranging widely across time and space, Hayaert identifies Lady Justice as the seat of law's conscience, an archetype of the judge's daimon, and an affective, numinous address to all who, over the course of seven centuries, have found themselves moved by her redolent and inextinguishable presence.
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Dark Conceit : The Making of Allegory
Dark Conceit is the first book in English to treat allegory seriously in terms of literary creation and criticism.The study explores the methods and ideas that go into the making of allegory, discusses the misconceptions that have obscured the subject, and surveys the changing concept of allegory.The greater part of the book concerns the typical features of allegorical fiction, focusing on a group of Romantic and contemporary writers, including Melville, Hawthorne, and Kafka, who continue the allegorical tradition in literature.Such writers, along with Lawrence, James, and Joyce, are taken to be the modern counterparts to an earlier group of pastoral, evangelical, and satirical writers represented by Spenser, Bunyan, and Swift.Honig’s thesis is that literary allegory, while symbolic in method, is realistic in aim.Its very power lies in its giving proof to the physical and ethical realities of life objectively conceived.
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The Fragile Land : An Arthurian Allegory
Stories surrounding the legendary King Arthur have been told since time immemorial, and every generation has a new take on the tale.The Fragile Land approaches the legend from a radical angle, setting it firmly in the post-Roman world of late fifth-century Europe, when the language of Britannia was still Brythonic and the Saxons had not yet superimposed their own place names. The Fragile Land chronicles the crucial years of Arthur's life, from the age of fifteen into his early thirties, as he comes to the fore as elected Overlord, empowered to confront the Barbarian threat and to keep the factious leaders of the island's kingdoms in some sort of political alliance.Enhanced by a beautifully illustrated map by the artist Kate Milsom, Simon Mundy's cunningly woven tale of an island in unrest draws subtle parallels with contemporary cultural disputes and casts the legend in a whole new light.
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Brandon Lipchik (Bilingual edition) : Moonbeams of Allegory
Fantastic landscapes and fictional narratives, paired with the neon-colored light shows of Berlin's nightlife—the latest paintings, VR installations and poems by American artist Brandon Lipchik offer glimpses into his own personal wonderland.He presents his dark but also humorous scenes, which are bursting with homoerotic references, on the screen like a director presents his plays on a theater stage. With this new cycle of works, the Kunstpalais presents the world's first institutional solo exhibition of Brandon Lipchik.The richly illustrated publication is both an exhibition catalogue and an overview of the artist's oeuvre to date.Beyond that, it also shows influences, ideas, and digital work processes in a section designed by the artist himself.
Price: 44.00 £ | Shipping*: 0.00 £
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What is Plato's Allegory of the Cave?
Plato's Allegory of the Cave is a philosophical metaphor used in his work "The Republic." In the allegory, Plato describes a group of people who have been imprisoned in a cave since birth, facing a wall where shadows are projected from a fire behind them. The prisoners believe these shadows to be the only reality they know. When one prisoner is freed and sees the outside world, he realizes the true nature of reality and the limitations of his previous understanding. The allegory is often interpreted as a representation of the journey from ignorance to enlightenment, highlighting the importance of critical thinking and questioning one's beliefs.
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Is Plato's Allegory of the Cave inappropriate here?
No, Plato's Allegory of the Cave is not inappropriate here. The allegory can be a useful tool to help explain the concept of perception, reality, and enlightenment. By using the allegory, we can explore how our perceptions may be limited and how gaining new knowledge can lead to a deeper understanding of the world around us. It can be a thought-provoking way to encourage critical thinking and reflection on our own beliefs and perspectives.
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What is the Allegory of the Cave 2?
The Allegory of the Cave 2 is a modern interpretation of the original Allegory of the Cave by Plato. It explores the concept of reality and perception in the context of modern society. In this allegory, individuals are depicted as being trapped in a cave, only able to see shadows on the wall, which they mistake for reality. The allegory serves as a metaphor for the way people are often limited by their own perspectives and beliefs, and how they may be resistant to accepting new ideas or truths.
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What is the difference between allegory and symbol?
Allegory and symbol are both literary devices used to convey deeper meanings in a text. However, the main difference between the two is that an allegory is a complete narrative that represents abstract ideas or moral qualities, while a symbol is a specific object, person, or event that represents something else. In other words, an allegory is a story with a hidden meaning, while a symbol is a single element that carries a deeper significance. Additionally, allegories often have a more complex and extended representation of abstract concepts, while symbols are more direct and specific in their representation.
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