Products related to Production:
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Electronics Production Defects and Analysis
This book is a unique book capturing defects that are frequently encountered during various fabrication phases of electronic packages.These defects have been analyzed to their root cause and mitigation techniques and presented in the book.The book includes 228 cases with more than 480 color and magnified images of the defects.These defects are covered under eight subheads, viz soldering defects, PCB defects, mounting defects, conformal coating and potting defects, EEE component defects, workmanship defects, defects due to usage of non-FFF components, and defects in CAD layout.The possible reasons for the occurrence of the defects and the methods/practices by which they can be eliminated/mitigated have also been discussed.The chapter "mounting defects" shows the correct approach in the adjacent photograph, so that the users can refer to the right procedures.The book is helpful to those who are involved in the production of electronics packages to familiarize them with the different cases shown carefully and revised frequently.Exposure to the different defects is useful to all who are working in fabrication and quality control to realize a zero-defect product sans much time and investment.The book is valuable for the technical community working for aerospace applications, industry partners in the realization of space programs, aerospace, and high-reliability institutions, various electronic fabrication agencies in the country, engineers and technicians taking up courses in high-reliability soldering and fabrication techniques, and the students.
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The Future of Cultural Analysis : A Critical Inquiry
Across the humanities and the social sciences, “cultural analysis” is a vibrant research practice.Since its introduction in the 1990s, its main principles have remained largely the same: interdisciplinarity, political urgency, a heuristic use of concepts, the detailed analysis of objects of culture, and an awareness of the scholar’s situatedness in the present.But is the practice still suited to the spiraling of social, political, and environmental crises that mark our time?Drawing on experiences in research, teaching, activism, and the creative arts, contributors explore what cultural analysis was back then, what it is now, and what it may be by 2034.In a shifting conjuncture, contributors strike notes of discomfort, defiance, and irony—as well as a renewed sense of urgency and care.
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Audio Production and Critical Listening : Technical Ear Training
Audio Production and Critical Listening: Technical Ear Training, Second Edition develops your critical and expert listening skills, enabling you to listen to audio like an award-winning engineer.Featuring an accessible writing style, this new edition includes information on objective measurements of sound, technical descriptions of signal processing, and their relationships to subjective impressions of sound.It also includes information on hearing conservation, ear plugs, and listening levels, as well as bias in the listening process. The interactive web browser-based "ear training" software practice modules provide experience identifying various types of signal processes and manipulations.Working alongside the clear and detailed explanations in the book, this software completes the learning package that will help you train you ears to listen and really "hear" your recordings. This all-new edition has been updated to include: Audio and psychoacoustic theories to inform and expand your critical listening practice. Access to integrated software that promotes listening skills development through audio examples found in actual recording and production work, listening exercises, and tests. Cutting-edge interactive practice modules created to increase your experience. More examples of sound recordings analysis. New outline for progressing through the EQ ear training software module with listening exercises and tips.
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Critical Doubt
They met in a war-torn city on the other side of the world and shared an anonymous night of passion. They didn't intend to meet again. Nor did they think they'd be reunited by sinister secrets... Five years later, FBI Agent Savannah Kane is headed to a small town in Georgia for the funeral of her best friend's husband. Going home is fraught with complications, but Savannah never imagined one of those would be Ryker Stone, the stranger she'd shared an unforgettable night with.Haunted by an ambush that took the lives of two men in his unit, Ryker now copes by living a solitary civilian life. Attending the funeral of yet another soldier, this one lost to a senseless accident, he is shocked to run into the beautiful stranger he has never forgotten.When another man in Ryker's former unit dies under suspicious circumstances, it's clear that someone is targeting his team. He's determined to get the truth; Savannah is just as determined to get answers for her friend. Neither wants to work with the other, and as they struggle with trust and attraction, the truth grows murkier...and more dangerous. Will finding answers reveal secrets neither one of them is ready to know? Don't miss this twisting, suspenseful, romantic page-turner by #1 New York Times Bestselling Author Barbara Freethy!
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What is the difference between 1. production manager, 2. production manager, set production manager, and location production manager?
A production manager is responsible for overseeing the overall production process, including scheduling, budgeting, and coordinating the various departments involved in a project. A set production manager specifically focuses on managing the production activities on the set, including coordinating with the director, cast, and crew. A location production manager is responsible for managing the production activities at specific filming locations, including obtaining permits, coordinating with local authorities, and ensuring the smooth operation of the production at that location. Each role has a specific focus within the overall production process, with the production manager overseeing the entire production, the set production manager focusing on the activities on set, and the location production manager managing the activities at specific filming locations.
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'Warehouse or Production?'
When deciding between a warehouse or production facility, it is important to consider the specific needs of your business. A warehouse is typically used for storing and distributing finished goods, while a production facility is used for manufacturing products. If your business focuses on storing and distributing goods, a warehouse may be more suitable. However, if your business involves manufacturing products, a production facility would be more appropriate. Ultimately, the decision should be based on the nature of your business operations and requirements.
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What is the difference between series production and batch production?
Series production involves producing a large quantity of identical products continuously, often using assembly line techniques, while batch production involves producing a specific quantity of products at a time before moving on to the next batch. In series production, the production process is more streamlined and efficient, as it is optimized for producing the same product repeatedly. Batch production allows for more flexibility in terms of product variations and customization, as each batch can be adjusted to meet specific requirements. Overall, series production is more suitable for high-volume production, while batch production is better suited for smaller quantities and more diverse product lines.
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What is the difference between batch production and continuous production?
Batch production involves producing a specific quantity of a product before moving on to the next batch, with each batch having a distinct start and end point. On the other hand, continuous production involves a constant flow of raw materials and output, with production running 24/7 without stopping. Batch production is more flexible and allows for easier customization of products, while continuous production is more efficient and cost-effective for high-volume production of standardized goods.
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Critical Doubt
They met in a war-torn city on the other side of the world and shared an anonymous night of passion. They didn't intend to meet again. Nor did they think they'd be reunited by sinister secrets... Five years later, FBI Agent Savannah Kane is headed to a small town in Georgia for the funeral of her best friend's husband. Going home is fraught with complications, but Savannah never imagined one of those would be Ryker Stone, the stranger she'd shared an unforgettable night with.Haunted by an ambush that took the lives of two men in his unit, Ryker now copes by living a solitary civilian life. Attending the funeral of yet another soldier, this one lost to a senseless accident, he is shocked to run into the beautiful stranger he has never forgotten.When another man in Ryker's former unit dies under suspicious circumstances, it's clear that someone is targeting his team. He's determined to get the truth; Savannah is just as determined to get answers for her friend. Neither wants to work with the other, and as they struggle with trust and attraction, the truth grows murkier...and more dangerous. Will finding answers reveal secrets neither one of them is ready to know? Don't miss this twisting, suspenseful, romantic page-turner by #1 New York Times Bestselling Author Barbara Freethy!
Price: 25.99 £ | Shipping*: 3.99 £ -
Beyond Virtual Production : Integrating Production Technologies
Beyond Virtual Production brings together a range of creative practice research projects that have been undertaken in The Void, an early-adopter university-based virtual production studio at Flinders University in South Australia. From a cross-disciplinary short virtual production film, to a VR simulation of the last 100 seconds of life of earth, to the live performance of the virtual band Big Sands, to augmented and extended reality, to archaeological projects, this collection captures the potential applications of virtual production technology and provides a framework for cross-disciplinary work and industry collaborations both in a university context and beyond.It offers insight into the development of virtual production courses and encompasses research into theories of performance, liveness, methods for co-creation, gender in virtual production careers, and object digitization and its representation while highlighting significant pathways of industry partnerships alongside experimental art practices. Creative technology and interdisciplinary practitioners, researchers, students, and teachers will find inspiration and practical guidance in these chapters.
Price: 36.99 £ | Shipping*: 0.00 £ -
Beyond Virtual Production : Integrating Production Technologies
Beyond Virtual Production brings together a range of creative practice research projects that have been undertaken in The Void, an early-adopter university-based virtual production studio at Flinders University in South Australia. From a cross-disciplinary short virtual production film, to a VR simulation of the last 100 seconds of life of earth, to the live performance of the virtual band Big Sands, to augmented and extended reality, to archaeological projects, this collection captures the potential applications of virtual production technology and provides a framework for cross-disciplinary work and industry collaborations both in a university context and beyond.It offers insight into the development of virtual production courses and encompasses research into theories of performance, liveness, methods for co-creation, gender in virtual production careers, and object digitization and its representation while highlighting significant pathways of industry partnerships alongside experimental art practices. Creative technology and interdisciplinary practitioners, researchers, students, and teachers will find inspiration and practical guidance in these chapters.
Price: 135.00 £ | Shipping*: 0.00 £ -
Script Analysis for Theatre : Tools for Interpretation, Collaboration and Production
Script Analysis for Theatre: Tools for Interpretation, Collaboration and Production provides theatre students and emerging theatre artists with the tools, skills and a shared language to analyze play scripts, communicate about them, and collaborate with others on stage productions. Based largely on concepts derived from Stanislavski's system of acting and method acting, the book focuses on action - what characters do to each other in specific circumstances, times, and places - as the engine of every play.From this foundation, readers will learn to distinguish the big picture of a script, dissect and 'score' smaller units and moment-to-moment action, and create individualized blueprints from which to collaborate on shaping the action in production from their perspectives as actors, directors, and designers.Script Analysis for Theatre offers a practical approach to script analysis for theatre production and is grounded in case studies of a range of the most studied plays, including Sophocles' Oedipus the King, Shakespeare's Twelfth Night, Henrik Ibsen's Hedda Gabler, Georg Büchner's Woyzeck, Oscar Wilde's The Importance of Being Earnest, Tennessee Williams's A Streetcar Named Desire, and Paula Vogel's How I Learned to Drive, among others.Readers will develop the real-life skills professional theatre artists use to design, rehearse, and produce plays.
Price: 33.99 £ | Shipping*: 0.00 £
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What is the difference between bench production and workshop production?
Bench production involves individual workers completing a specific task or product at their own workstations, while workshop production involves a group of workers collaborating on different aspects of a project in a shared workspace. Bench production is more suitable for smaller-scale, specialized tasks, while workshop production is better for larger projects that require multiple skills and resources. Workshop production allows for more flexibility and creativity in problem-solving, while bench production can be more efficient for repetitive tasks.
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What is the difference between workshop production and production in workshops?
Workshop production refers to a manufacturing process where products are made in a workshop setting using hand tools or small-scale machinery. On the other hand, production in workshops typically involves the creation of goods or services within a larger industrial setting, where multiple workshops may be utilized for different stages of production. Workshop production is more focused on small-scale, customized or artisanal production, while production in workshops is often part of a larger, more standardized manufacturing process.
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What are original factors of production and derivative factors of production?
Original factors of production are the primary inputs required for the production process, including land, labor, capital, and entrepreneurship. These factors are essential for creating goods and services. Derivative factors of production are resources that are created or derived from the original factors, such as technology, knowledge, and skills. These derivative factors enhance the productivity and efficiency of the original factors in the production process.
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How does production represent a continuous combination process of production factors?
Production represents a continuous combination process of production factors because it involves the utilization of various inputs such as labor, capital, and raw materials to create goods and services. These production factors are combined in different proportions to achieve the desired output. The process is continuous because it involves ongoing decision-making and adjustments to optimize the use of resources and improve efficiency. Additionally, as technology and market conditions change, the combination of production factors may need to be adjusted to remain competitive and meet consumer demand.
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