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  • The Urban Planning Imagination : A Critical International Introduction
    The Urban Planning Imagination : A Critical International Introduction

    Urban planning is not just about applying a suite of systematic principles or plotting out pragmatic designs to satisfy the briefs of private developers or public bodies.Planning is also an activity of imagination, with a stock of wisdom and an array of useful methods for making decisions and getting things done. This critical introduction uncovers and celebrates this imagination and its creative potential.Nicholas A. Phelps explores the key themes and driving questions in the circulation of planning ideas and methods over time and across spaces, identifying the contrasts and commonalities between urban planning systems and cultures.He argues that the tools for inclusive urban planning are today, more than ever, not solely restricted to the hands of planning bodies, but are distributed across citizens, a variety of organizations (what Phelps calls ‘clubs’) and states.As a result, the book sets the ground for the new arrangements between these groups and actors which will be central to the future of urban planning. By unsettling standard accounts, this book compels us towards more critical and creative thinking to ensure that the imagination, wisdom and methods of urban planning are mobilized towards achieving the aspiration of shaping better places.

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  • Alter-Politics : Critical Anthropology and the Radical Imagination
    Alter-Politics : Critical Anthropology and the Radical Imagination

    This book is a contribution to a long history of critical writing against an increasingly destructive global order marked by an excessive instrumentalisation, exploitation and degradation of the human and non-human environment, and ridden with unacceptable, but also, importantly, avoidable, forms of inequality, injustice and marginalisation. Alter-Politics is concerned with the way anthropological critical writing in particular aims to weave oppositional concerns (anti-politics) with a search for alternatives (alter-politics): alternative economies, alternative modes of inhabiting and relating to the earth, alternative modes of thinking and experiencing otherness. If Alter-Politics privileges alter-politics over oppositional politics, it is not because, as is made clear, the 'alter' moment is more important than the 'anti'.It is because a concern for alter-politics has been less prevalent.The question of 'political passion' is crucial in this conception of the alter-political.For the book argues that it is because radical political passion has been mostly directed towards anti-politics that it has come to dominate over alter-politics.This does not simply mean that political passion needs to be equally directed towards alter-politics.It also means that this passion itself needs to be a radically different kind of political passion once so directed.It is this 'alter-political passion' that Hage strives to create a space for throughout Alter-Politics.

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  • The Future of Cultural Analysis : A Critical Inquiry
    The Future of Cultural Analysis : A Critical Inquiry

    Across the humanities and the social sciences, “cultural analysis” is a vibrant research practice.Since its introduction in the 1990s, its main principles have remained largely the same: interdisciplinarity, political urgency, a heuristic use of concepts, the detailed analysis of objects of culture, and an awareness of the scholar’s situatedness in the present.But is the practice still suited to the spiraling of social, political, and environmental crises that mark our time?Drawing on experiences in research, teaching, activism, and the creative arts, contributors explore what cultural analysis was back then, what it is now, and what it may be by 2034.In a shifting conjuncture, contributors strike notes of discomfort, defiance, and irony—as well as a renewed sense of urgency and care.

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  • An Analysis of C. Wright Mills's The Sociological Imagination
    An Analysis of C. Wright Mills's The Sociological Imagination

    C. Wright Mills’s 1959 book The Sociological Imagination is widely regarded as one of the most influential works of post-war sociology.At its heart, the work is a closely reasoned argument about the nature and aims of sociology, one that sets out a manifesto and roadmap for the field.Its wide acceptance and popular reception is a clear demonstration of the rhetorical power of Wright’s strong reasoning skills.In critical thinking, reasoning involves the creation of an argument that is strong, balanced, and, of course, persuasive.In Mills’s case, this core argument makes a case for what he terms the “sociological imagination”, a particular quality of mind capable of analyzing how individual lives fit into, and interact with, social structures.Only by adopting such an approach, Mills argues, can sociologists see the private troubles of individuals as the social issues they really are.Allied to this central argument are supporting arguments for the need for sociology to maintain its independence from corporations and governments, and for social scientists to steer away from ‘high theory’ and focus on the real difficulties of everyday life.Carefully organized, watertight and persuasive, The Sociological Imagination exemplifies reasoned argument at its best.

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  • What is imagination?

    Imagination is the ability to form mental images, ideas, and concepts that are not present in our immediate surroundings. It allows us to visualize things that do not exist or have not yet happened, enabling us to be creative, innovative, and problem-solve. Imagination is a powerful tool that helps us explore new possibilities, think outside the box, and envision a better future.

  • Was it imagination?

    Imagination is the ability to form mental images, sensations, and concepts that are not present to the senses. It is a creative and cognitive process that allows us to explore possibilities and envision new ideas. Whether something is imagination or not depends on the context and the individual's perception. It could be a product of imagination if it is a creative idea or a mental image, but it could also be a real experience or observation. Ultimately, the determination of whether something is imagination or not is subjective and can vary from person to person.

  • Fantasy or imagination?

    Fantasy and imagination are closely related but not the same. Imagination is the ability to form mental images, ideas, and sensations that are not present in reality, while fantasy is a genre of fiction that often involves magical or supernatural elements. Imagination is a fundamental cognitive process that allows us to think creatively and problem-solve, while fantasy is a specific type of creative expression. Both are important for creativity and innovation, but they serve different purposes in our cognitive and emotional lives.

  • Do animals have imagination?

    While animals may not have the same level of imagination as humans, there is evidence to suggest that some animals do possess a degree of imagination. For example, certain species of birds have been observed using tools in creative ways to solve problems, which could indicate a level of imagination. Additionally, animals like dolphins and elephants have displayed behaviors that suggest they can think beyond their immediate circumstances and imagine different possibilities. Overall, while the extent of animal imagination may differ from humans, there are indications that some animals do possess this cognitive ability to some degree.

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  • Imagination (Wonder & Imagination) Unlined Hardcover Journal
    Imagination (Wonder & Imagination) Unlined Hardcover Journal

    The boundless dreams of childhood are within reach in the enchanting works of Victor Nizovtsev, such as the painting reproduced on our Imagination journal cover.The artist’s stated hope is that his paintings “will give people a small taste of their childhood and will inspire their own stories.”

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  • Imagination!
    Imagination!


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  • Collaborative Cross-Cultural Narrative Inquiry : Embracing Curiosity, Cultural Humility, and the Imagination
    Collaborative Cross-Cultural Narrative Inquiry : Embracing Curiosity, Cultural Humility, and the Imagination

    Collaborative Cross-Cultural Narrative Inquiry invites readers to participate in the experience of engaging in and reflecting on the author’s collaborative cross-cultural narrative research online with Parvana, an Afghan woman living in Afghanistan until August 2021. Storied reflections along with excerpts from interviews, storied data, doctoral assignments, peer feedback, analytic memos, and more illustrate how ethical practice, vulnerability, and care informed the collaborative exploration of Parvana’s life story and her daily multiple literacy practices for navigating Afghan society as an Afghan woman.Each chapter of this book offers reflections on individual elements of our cross-cultural narrative research to give readers an evocative account of our collaborative journey; at the end of each chapter, reflective prompts invite readers to engage in focused practice and explorations as they develop their own meaningful and mindful narrative studies.With its emphasis on research and relationship ethics, self-reflective practice, cultural humility, and creative approaches to analysis and representation, the cross-cultural narrative study at the heart of this textbook also offers readers insights into developing mindful and meaningful cross-cultural narrative research rooted in curiosity, humility, and the imagination. This textbook is suitable for qualitative researchers, professors, students, and others from a wide variety of fields who are interested in teaching, researching, or learning more about designing and engaging in narrative research.

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  • Collaborative Cross-Cultural Narrative Inquiry : Embracing Curiosity, Cultural Humility, and the Imagination
    Collaborative Cross-Cultural Narrative Inquiry : Embracing Curiosity, Cultural Humility, and the Imagination

    Collaborative Cross-Cultural Narrative Inquiry invites readers to participate in the experience of engaging in and reflecting on the author’s collaborative cross-cultural narrative research online with Parvana, an Afghan woman living in Afghanistan until August 2021. Storied reflections along with excerpts from interviews, storied data, doctoral assignments, peer feedback, analytic memos, and more illustrate how ethical practice, vulnerability, and care informed the collaborative exploration of Parvana’s life story and her daily multiple literacy practices for navigating Afghan society as an Afghan woman.Each chapter of this book offers reflections on individual elements of our cross-cultural narrative research to give readers an evocative account of our collaborative journey; at the end of each chapter, reflective prompts invite readers to engage in focused practice and explorations as they develop their own meaningful and mindful narrative studies.With its emphasis on research and relationship ethics, self-reflective practice, cultural humility, and creative approaches to analysis and representation, the cross-cultural narrative study at the heart of this textbook also offers readers insights into developing mindful and meaningful cross-cultural narrative research rooted in curiosity, humility, and the imagination. This textbook is suitable for qualitative researchers, professors, students, and others from a wide variety of fields who are interested in teaching, researching, or learning more about designing and engaging in narrative research.

    Price: 38.99 £ | Shipping*: 0.00 £
  • Imagination or Reality: Spider?

    Spiders are a reality in the natural world, existing in various species and habitats around the globe. However, the fear or fascination that spiders evoke in individuals can often lead to imaginative interpretations or exaggerated perceptions of these creatures. While some may view spiders as terrifying or dangerous, others may appreciate their role in controlling insect populations and admire their intricate webs and unique characteristics. Ultimately, the perception of spiders can vary between imagination and reality, depending on individual experiences and perspectives.

  • Has the imagination diminished?

    No, the imagination has not diminished. In fact, with advancements in technology and access to a wide range of creative outlets, the imagination has the potential to flourish more than ever before. People are constantly creating and consuming new forms of art, literature, and media, which requires a strong imagination. Additionally, the ability to envision and create new solutions to complex problems is a key aspect of human imagination, and this capacity continues to be essential in various fields such as science, engineering, and design. Therefore, the imagination remains a powerful and essential aspect of human creativity and innovation.

  • Is faith just imagination?

    Faith is not just imagination. While imagination can play a role in shaping one's beliefs and understanding of faith, faith itself is a deeply held conviction or trust in something that is beyond the realm of empirical evidence. It involves a strong belief in something greater than oneself, and often serves as a source of hope, comfort, and guidance in the face of uncertainty. Faith can be based on personal experiences, teachings, or spiritual insights, and is not simply a product of imagination.

  • Electric shock or imagination?

    Electric shock and imagination are two very different things. Electric shock is a physical sensation caused by the flow of electric current through the body, while imagination is a mental process of creating images, ideas, or sensations that are not actually present. It is important to differentiate between the two in order to accurately assess and address any potential risks or concerns. If someone is experiencing symptoms of electric shock, it is important to seek medical attention immediately, while imagination is a natural and creative aspect of human cognition.

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