Products related to Acting:
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Black Acting Methods : Critical Approaches
Black Acting Methods seeks to offer alternatives to the Euro-American performance styles that many actors find themselves working with.A wealth of contributions from directors, scholars and actor trainers address afrocentric processes and aesthetics, and interviews with key figures in Black American theatre illuminate their methods.This ground-breaking collection is an essential resource for teachers, students, actors and directors seeking to reclaim, reaffirm or even redefine the role and contributions of Black culture in theatre arts.Chapter 7 of this book is freely available as a downloadable Open Access PDF at http://www.taylorfrancis.com under a Creative Commons Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND) 4.0 license.
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Critical Acting Pedagogy : Intersectional Approaches
Critical Acting Pedagogy: Intersectional Approaches invites readers to think about pedagogy in actor training as a research field in its own right: to sit with the complex challenges, risks, and rewards of the acting studio; to recognise the shared vulnerability, courage, and love that defines our field and underpins our practices.This collection of chapters, from a diverse group of acting teachers at different points in their careers, working in conservatoires and universities, illuminates current developments in decolonising studios to foreground multiple and intersecting identities in the pedagogic exchange.In acknowledging how their positionality affects their practices and materials, 20 acting teachers from the United Kingdom, the United States, Europe, and Oceania offer practical tools for the social justice acting classroom, with rich insights for developing critical acting pedagogies.Authors test and develop research approaches, drawn from social sciences, to tackle dominant ideologies in organisation, curriculum, and methodologies of actor training. This collection frames current efforts to promote equality, diversity, and inclusivity in the studio.It contributes to the collective movement to improve current educational practice in acting, prioritising well-being, and centering the student experience.
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Acting
In Acting, emergent readers learn about the craft of acting by following the experience of two working actors.Vibrant, full-color photos and carefully leveled text engage young readers as they explore this performing art.A labeled diagram shows readers the parts of a stage, while a picture glossary reinforces new vocabulary.Children can learn more about acting using our safe search engine that provides relevant, age-appropriate websites.Acting also features reading tips for teachers and parents, a table of contents, and an index.Acting is part of Jump!'s Artist's Studio series.
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The Future of Cultural Analysis : A Critical Inquiry
Across the humanities and the social sciences, “cultural analysis” is a vibrant research practice.Since its introduction in the 1990s, its main principles have remained largely the same: interdisciplinarity, political urgency, a heuristic use of concepts, the detailed analysis of objects of culture, and an awareness of the scholar’s situatedness in the present.But is the practice still suited to the spiraling of social, political, and environmental crises that mark our time?Drawing on experiences in research, teaching, activism, and the creative arts, contributors explore what cultural analysis was back then, what it is now, and what it may be by 2034.In a shifting conjuncture, contributors strike notes of discomfort, defiance, and irony—as well as a renewed sense of urgency and care.
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What is a research question about acting?
A research question about acting could be: "How does the use of different acting techniques impact the portrayal of emotions on stage or screen?" This question would explore the relationship between acting techniques and the ability to convey emotions effectively, and could involve studying various methods such as method acting, Meisner technique, or Stanislavski system. The research could involve analyzing performances, conducting interviews with actors, and examining the psychological and physiological aspects of acting.
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Law or acting?
Choosing between law and acting ultimately depends on your interests and strengths. If you have a passion for justice, critical thinking, and problem-solving, law may be the better choice for you. On the other hand, if you have a love for storytelling, creativity, and performing, acting could be the more fulfilling path. Consider your skills, values, and long-term goals to make the decision that aligns best with your aspirations.
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What is acting?
Acting is the art of portraying a character or role through the use of voice, body language, and emotions. It involves stepping into the shoes of another person and bringing their story to life on stage, in front of a camera, or in other performance settings. Good acting requires skill, training, and the ability to connect with the audience in a way that is believable and engaging. It is a form of creative expression that allows actors to explore different perspectives, emotions, and experiences.
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'Law or acting?'
Choosing between law and acting ultimately depends on your interests, skills, and career goals. If you have a passion for justice, critical thinking, and problem-solving, law may be the right path for you. On the other hand, if you have a love for storytelling, creativity, and performing, acting could be a better fit. Consider what brings you the most fulfillment and aligns with your strengths to make the best decision for your future career.
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Acting for Life : A Textbook on Acting
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Acting Class
Internationally acclaimed graphic artist: Drnaso's previous title SABRINA was the first ever graphic novel nominated for the Booker Prize and the Orwell Prize---Every single person has something unique to them which is impossible to re-create, without exception. - John Smith, acting coach From the acclaimed author of Sabrina, Nick Drnaso's Acting Class creates a tapestry of disconnect, distrust, and manipulation.Ten strangers are brought together under the tutelage of John Smith, a mysterious and morally questionable leader.The group of social misfits and restless searchers have one thing in common: they are out of step with their surroundings and desperate for change. A husband and wife, four years into their marriage and simmering in boredom.A single mother, her young son showing disturbing signs of mental instability.A peculiar woman with few if any friends and only her menial job keeping her grounded.A figure model, comfortable in his body and ready for a creative challenge.A worried grandmother and her adult granddaughter; a hulking laborer and gym nut; a physical therapist; an ex-con. With thrumming unease, the class sinks deeper into their lessons as the process demands increasing devotion.When the line between real life and imagination begins to blur, the group's deepest fears and desires are laid bare.Exploring the tension between who we are and how we present, Drnaso cracks open his characters' masks and takes us through an unsettling American journey.
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Screen Acting
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In-Depth Acting
'A book that will stand the test of time' – Pierce BrosnanAn essential guide to the Stanislavski technique, filtering out the complexities of the system and offering a dynamic, hands-on approach.Provides a comprehensive understanding of character, preparation, text, subtext and objectives. How to prepare for drama school and professional auditions How to develop a 3-dimensional, truthful character Preparation exercises to help you get in character Rehearsal guidelines An appendix of Transitive/Active Verbs and more
Price: 18.99 £ | Shipping*: 3.99 £
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What is the difference between acting and film acting school?
Acting school typically focuses on teaching the fundamentals of acting, including techniques, methods, and theory, and may cover a range of performance styles such as stage acting, improv, and voice work. Film acting school, on the other hand, specifically focuses on training actors for on-camera work, teaching skills such as understanding camera angles, working with a script, and adjusting performance for the camera. While both types of training may cover similar acting techniques, film acting school is tailored to the specific demands of acting for the screen, including understanding the technical aspects of filmmaking.
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How can you recognize single-acting or double-acting baking powder?
Single-acting baking powder will react with moisture and release gas bubbles when it is mixed with wet ingredients and exposed to heat. It is typically used for recipes that require immediate baking. On the other hand, double-acting baking powder will release some gas bubbles when mixed with wet ingredients, but the majority of the leavening action will occur when exposed to heat during baking. Double-acting baking powder is more commonly used in recipes that need a longer leavening process.
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How can one recognize single-acting or double-acting baking powder?
Single-acting baking powder will react with moisture and start releasing carbon dioxide gas as soon as it is mixed with wet ingredients, so it needs to be baked immediately. On the other hand, double-acting baking powder will release some gas when mixed with wet ingredients, but the majority of the gas is released when exposed to heat during baking. To recognize them, you can check the label on the packaging, as it will usually specify whether it is single-acting or double-acting baking powder.
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Is one acting ethically or morally when acting against base desires?
Acting against base desires can be considered ethical or moral depending on the context and the specific desires being acted against. In some cases, going against base desires, such as greed or selfishness, can be seen as a morally upright action, as it may prioritize the well-being of others or adhere to societal norms. However, in other situations, suppressing natural desires, such as the desire for self-preservation, may be seen as unethical if it leads to harm or self-neglect. Ultimately, the ethical or moral nature of acting against base desires depends on the specific circumstances and the impact of the action on oneself and others.
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